Various - The Rough Guide To West African Music download free

The Rough Guide to West African Music is a world music compilation album originally released in 1995. The second release of the World Music Network Rough Guides series, it largely focuses on Malian music, with six of the twelve tracks coming from that country. This is followed by Senegal (two tracks), and Guinea, Niger, Ghana, and Mauritania (one track each). The compilation was produced by Phil Stanton, co-founder of the World Music Network.

The Rough Guide series has operated in that arena for years, offering quick dips into musical forms most (Western) people have no point of reference for, and occasionally pulling together an introduction to an iconic artist with no real representation in mainstream American culture. The Guides have always had an objective component to them, aiming to offer a snapshot of, say, Malaysian music from traditional sounds to modern pop ballads, and as such they're typically eclectic and correspondingly hit-or-miss in terms of track selection  . Providing a great look at the collision between pop and tradition is The Rough Guide to West African Gold, the title a reference to the "Golden Age of African Music," from the late 1950s to the early 80s.

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The Rough Guide to African Disco. The Rough Guide to African Disco is a world music compilation album originally released in 2013 featuring mainly 1970s and '80s African disco. Part of the World Music Network Rough Guides series, the album contains two discs: an overview of the genre on Disc One, and a "bonus" Disc Two highlighting Cameroonian artist Maloko.

The Rough Guide To African Guitar Legends Audio CD. Rough Guide.

To Americans, the sound of South African jazz is both oddly familiar and wonderfully exotic. The familiar aspect is easy to explain: From Louis Armstrong onward, American artists have exerted a strong influence over South Africa's pop and jazz musicians. Genres as diverse as doo-wop, R&B and bebop have all been incorporated in South African jazz. This marriage of American influences with native melody patterns and tribal polyrhythms has made for some irresistible amalgams

The rich traditions of African rhythms are echoed in all popular American music, and jazz is no exception. In turn, black South Africans became enamored with the familiar styles and structures of jazz as early as the 1920s. By the '50s, most towns had a few local bands, with Johannesburg boasting the sharpest innovators. The township bands played in a dynamic style that mingled elements of swing with marabi, the three-chord melodies by which African jazz was most popularly known.