Various - Music Is The Most Beautiful Language In The World – Yiddisher Jazz In London’s East End 1920s To 1950s download free
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The album title is inspired by a 1920s Yiddish slogan of an East London gramophone record shop, from a time when Whitechapel was a fertile breeding ground for singers, musicians, proprietors of record shops and club owners - according to Dein their stories are now entwined with the development of the British recorded music industry. But for the first time ever, we can the discover the remarkable sounds of Jewish-themed jazz recorded in London between the 1920s and the 1950s - which thankfully had been preserved within the grooves of ancient discs.
It’s jazz in the sense that popular bands of the time were swing bands, and the music draws on big band swing, mambos, rhumbas and klezmer. In a sense, these are novelty recordings – although I mean nothing derogatory by the term. Sung in a mixture of Yiddish, English and Hebrew, sometimes making fun of ‘goyisher’ English accents, several of the rhymes and turns of phrase make me laugh out loud. My favourite tracks are probably the joyous, funny ones – Max Bacon’s Beigels, Johnny Franks and his Kosher Ragtimers' Wilhelmina, and Baker & Willie’s A Day in the Lane – but there are also some very beautiful pieces, especially Leo Fuld’s gorgeous Hebrew Chant, which draws heavily on the cantorial tradition of liturgical singing, and Chaim Towber’s Yiddish ballad Whitechapel
Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington.
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By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s
This article includes an overview of the major events and trends in popular music in the 1950s. Various genre in the First World, rock and roll, doo-wop, pop, swing, rhythm and blues, blues, Country music, rockabilly, and jazz music dominated and defined the decade's music. Rock and roll dominated popular music in the mid 1950s and late 1950s, and quickly spread to much of the rest of the world.
1970s -. Jazz fusion. Combines elements of jazz and rock. Characterized by electronic instruments, riffs, and extended solos. Particularly popular with pianists before World War I, it is also the underlying stylistic form for most Dixieland jazz. 1960s -. Smooth jazz. In general a smooth jazz track is downtempo (the most widely played tracks are in the 90–105 BPM range), layering a lead, melody-playing instrument (saxophones – especially soprano and tenor – are the most popular, with guitars a close second) over a backdrop that typically consists of programmed rhythms and various synth pads and/or samples.
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For classical, try the London Symphony Orchestra at the Barbican Center; for opera, head to Covent Garden. For contemporary big name acts, there are famous venues like the O2 Arena, the Hammersmith Apollo, and Earl’s Court. At smaller venues like Ronnie Scott’s Jazz Club, the Half Moon in Putney, the Camden Roundhouse, and Barfly you’ll find up-and-coming artists. You’ll find hundreds of venues open each night, serving up everything from rockabilly, funk, Afro-beat, jazz, country, blues, punk, and metal. The 10 Most Beautiful Opera Houses Around The World. The Best Music Venues to Visit in Saxony.
|A2||–Johnny Franks and his Kosher Ragtimers||Mahzel||2:39|
|A3||–Ambrose & His Orchestra||Selection Of Hebrew Dances||3:07|
|A4||–Johnny Franks and his Kosher Ragtimers||Wilhemina||3:01|
|A5||–Lew Stone & The Monseigneur Band||A Brivella Der Mama||3:06|
|A6||–Baker And Willie With Orch.||A Day in the Lane||2:32|
|A7||–Stanley Laudan||Yiddisher Samba||1:37|
|A8||–Johnny Franks And His Kosher Ragtimers||Tzena||2:27|
|A9||–Mendel & His Mishpoche Band||A Kosher Fox-Trot Medley (Petticoat Lane)||2:55|
|B1||–Stanley Laudan||Rock'n'Roll Kozatsky||1:50|
|B2||–Maurice Winnick & his Sweet Music||Bei Mir Biste Schon||2:45|
|B3||–The Plaza Band||Petticoat Lane||3:00|
|B4||–Rita Marlowe||Why Be Angry Sweetheart||2:47|
|B5||–Oscar Grasso And His Intimate Music*||Return To Me||3:12|
|B6||–Leo Fuld With Wardour Singers||Hebrew Chant||2:50|
|B7||–Chaim Towber & Johnny Franks Orchestra||Whitechapel||2:58|
|B8||–Chaim Towber & Johnny Franks Orchestra||Festival Of Britain||2:57|
NotesA vibrant soundtrack to the Cockney Jewish experience, starting when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel, in London’s East End. Single LP in shrinkwrapped sleeve, with sleeve-notes and picture insert. Artwork by Will Bankhead, compiled by broadcaster and historian Alan Dein and Howard Williams.
|JWMCD001||Various||Music Is The Most Beautiful Language In The World – Yiddisher Jazz In London’s East End 1920s To 1950s (CD, Album, Comp)||JWM Records||JWMCD001||UK||2018|
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