Various - Norman Granz Jazz Concert #1 download free
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Norman Granz Presents: Jazz at the Philharmonic - Carnegie Hall Concert September 13, 1952. Jazz, Billie Holiday, Jukebox, Album Covers, Moose Art, Prints, Creative, Drawings, Movie Posters. Various - Jazz At The Philharmonic Vienna Overstock. com Shopping - The Best Deals on General. Various - Jazz At The Philharmonic Vienna.
Pablo Records was a jazz record company and label founded by Norman Granz in 1973, more than a decade after he had sold his labels (including Verve Records) to MGM Records. Pablo initially featured recordings by acts that Granz managed: Ella Fitzgerald, Oscar Peterson, and Joe Pass. Later, the label issued recordings by Count Basie, Dizzy Gillespie, Sarah Vaughan, Milt Jackson, and Paulinho da Costa.
The Greatest Jazz Concert in the World. The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975. Billy Strayhorn's "Blood Count" was debuted at the Carnegie Hall concert featured on the album. This was Strayhorn's last composition, he died a few months after the piece was recorded.
Jazz Concert 1. 1950. Jazz Concert 1. ( - Norgran JC.
Norman Granz, founder of the Norgran and Clef labels before launching Verve in the mid-1950s, brought together dozens of musicians for the popular Jazz at the Philharmonic series, taking the ad hoc bands to delighted crowds. The bands cook, taking on scores of well-known tunes and using them as the basis for loose-limbed improvisations that play off the crowd's energy-often audible after solos. Norman Grantz took a whole lot of crap (especially in the later years) for what some have called "a travelling jazz circus". Thank God he had the foresight (or business acumen) to record these. Some of the best, once-in-a-lifetime moments were caught for posterity in these jams.
When Norman Granz started his Jazz imprint at Mercury Records it was to David stone Martin that he turned for many of the designs that graced Clef, Norgran and later Verve’s records. It was through Stone Martin’s working association with Asch Records that he met Granz, and they developed both a friendship and a close working relationship. When Granz gave him the job of looking after all the art needs of Clef Records in 1948. Over at Blue Note it was another graphic designer, with a passion for jazz, who did many of the label’s early album designs, his name was Paul Bacon. When the label released it’s initial batch of LPs in the early 1950s they featured sleeves designed by a d New Yorker, Bacon. An avid jazz fan, Bacon worked in a small local advertising agency and had got to know Lion through the Newark Hot Club.
Адрес: Россия, Москва, Варшавское шоссе, 25А, ст., 111. ОГРН: 1147746502892
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|MG JC #1||Various||Norman Granz Jazz Concert #1 (LP, Album, Mono + Box)||Norgran Records||MG JC #1||US||1950|
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|33CX 10060||Various||Norman Granz Jazz Concert No. 2 (LP, Album)||Columbia||33CX 10060||UK||1956|
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